2022 Reading Wrap-Up

Last year I deleted my GoodReads account and signed up for StoryGraph. Between the awful GoodReads experience on mobile and sharing unnecessary  amounts of reading data with Amazon, I decided enough was enough.

I wouldn’t have done it if I didn’t have an alternative, though, because I like having an easy way to track my books. No laborious spreadsheets for me, thanks! And that alternative was StoryGraph, which proved not only to be an adequate GoodReads replacement but an actual improvement. In addition to a much smoother and functional interface on mobile (though there is a web version as well!), it tracks a greater variety of data and uses it to help you better understand your reader rather than to feed the Bezos beast. It also lets you play with that data in better detail. What better way to show that off than by sharing my 2022 Reading Wrap-Up from StoryGraph!

A screenshot from the StoryGraph website with reading statistics. Here it says that I read 53 books in 2022. My first book of the year was SPQR. My last book was Orlando.

A line graph for a full year. The line starts slightly below halfway in January, dips slightly until May, and then increases to slightly above halfway in December.

It’s unclear how they are categorizing “light” and “dark” books on the site, precisely. StoryGraph gives you the option of selecting “moods” for books as you add them, which I assume this graph is referring to. (“This would be good for someone in the mood for something…”) My guess is that moods like “tense” or “sad” count as dark, and that ones like “hopeful” or “adventurous” count as light, but that’s just hypothesizing. Apparently I was in a real bummer reading mood for the entire spring!

Another line graph comparing pages read and books read over 2022. At the bottom of the image are celebrating emojis and the text "Congratulations on meeting your reading goal!" Below that is green progress bar with the text 110%.

A bar graph showing my most-read genres. Science fiction: 12 books. Classics: 10 books. Literary: 9 books. Queer: 8 books. Contemporary: 5 books.

No surprise that science fiction tops the list. Austin Feminist Sci Fi Book Club keeping me on my toes!

The longest and shortest books I read this year. The longest was The Big Balloon (A Love Story) at 648 pages. The shortest was Uppläsningen at 47 pages. The average length of the books I read was 324 pages.

A bar graph showing the authors I read the most during the year. Muriel Barbery: 2. Stefan Zweig: 2. Marcel Pagnol: 2. My average rating for books 3.75/5 stars.

 

A small collage of book covers that I rated 5/5 stars during the year.

Ones that I discussed here were:

A bar graph showing my ratings breakdown. 0 stars: 1 book. 2 stars: 6 books. 3 stars: 10 books. 4 stars: 23 books. 5 stars: 13 books. My average rating 4.5 stars in March. I read the most pages (2,590) in December.

Sometimes numbers surprise you. Despite the 3.75 star average, I wasn’t expecting to see quite so many 4 star ratings in my stats (I promise I know how math works). My philosophy is that if your average rating over a whole year reaches or exceeds 4 out of 5 stars, you are either being overly generous with your opinions or insufficiently adventurous with your choices. Or you are possibly DNF-ing every single mediocre book you pick up, which is a choice I respect.

Another great thing about StoryGraph: it lets you give 0 star reviews, which is exactly what I gave Into the Drowning Deep.

The most shelved book (by other users) that I read was My Year of Rest and Relaxation.

StoryGraph also provides the “least shelved” book you read—the book you read that the fewest number of users have added to their own lists, whether they’ve read it or only intend to—and the “highest rated” book you read—the book you read that has the highest rating on the site. My “least shelved” book was a self-published novel that I panned (seems pointlessly cruel to share that) and my “highest rated” is niche and of no interest here, so I’m omitting those two.

I read 44 new to me authors this year, including Ryka Aoki, Lori Gottlieb, and Ingegerd Enström. Nine of the books I read were part of a series. I re-read 2 books.

Speaking of re-reads, I’ll take the opportunity to point out that adding re-reads of books in different languages (which was both of those re-reads) is much easier to do on StoryGraph than on GoodReads.

I finished all of the books I added this year. Compared to 2021, I read 5% fewer books but 21% more pages.

Pie charts of the moods of books I read during the year and their pace. I favored reflective, informative, and emotional books (42% total). They tended to be medium-paced (54%).

A list of the common components of my highest-rated books. Moods: mysterious, dark, challenging. Pace: slow. Book type: nonfiction. Genres: biography, feminism, reference. Story style: character-driven. Characters: flawed, diverse, well-developed.

So there you have it! Maybe that enticed you to give StoryGraph a shot? Nothing about this post is paid or sponsored, I just think the service is that cool and I want it to succeed wildly.

The Best Books of 2021, According to GoodReads

I could have sworn that I did one of these posts for 2019 and 2020, but apparently not? I usually enjoy looking at the “My Year in Books” feature on GoodReads, but they seem to have revamped it and made it uglier so I won’t even bother including it here.

During the fiery hellscape that was 2021, I read 59 books. The most popular book I read was The Art of War and the least popular was a re-read of a Swedish civics textbook that I can assure you is very rough going.  The five-star books of the year were:

I’m excluding from the list books in an extremely selective niche that are of huge personal importance to me and are not a “public” or “objectively” 5-star book the way that these are. (Would everyone benefit from reading The Human Condition? Yes. Would everyone benefit from reading a collection of ghost stories from my hometown? Probably not, no.) I’ve included links to blog posts for books that I wrote about during the year and will provide brief nutshell reviews of the remaining six books here.

Literature

The Deep

This was an Austin Feminist Sci-Fi Book Club pick. I didn’t care for my first tango with Solomon, An Unkindness of Ghosts, but The Deep was as polished and needle sharp as Unkindness should have been. Genre fiction doesn’t have to use fantastical conventions as a way to externalize complex psychological elements of our lives to justify its existence as a genre qua genre, but it certainly is uniquely equipped for doing so.

Agrippa (A Book of the Dead)

This one’s a bit of an easy title to knock out. It’s not really purely text, or available in any kind of dead tree form—my encounter with it was in a 15? 25? minute YouTube clip, captured footage of the original program being run in an emulator. At the end of the year (or the beginning of the next one), I don’t know that I can remember any concrete lines or images from Gibson’s poetry (I do recall the rather fuzzy, janky sound effect of a single gunshot), but I remember the overall effect and I appreciate the novel approach with form and media. It all felt inherently tied to the content rather than just a cheap gimmick.

A Memory Called Empire

Another Austin Feminist Sci-Fi Book Club pick, this time a more traditional galactic empire intrigues and high-tech tale. I think this one would pair really well with Ancillary Justice as two examinations of empire: one from relatively deep within the beating heart of empire and one from the outside.

Philosophy and Current Issues

Människans villkor

Who am I to review a Hannah Arendt book? Who is anyone to review a Hannah Arendt book? All I can say is: as the years go by, I get angrier and angrier over the fact that we never covered any of her work in my philosophy undergrad career.

Project Censored’s State of the Free Press

This collection is a nice round-up of important but overlooked journalism, sourced from university journalism programs and advised, filtered and vetted by a board of professional journalists. I consider this collection an essential part of my yearly reading.

Who Do You Serve, Who Do You Protect?

Another collection, this time of essays on policing and police violence. Sitting here doing my annual write up, I can remember that it was a compelling read full of new information but none of that new information specifically. This is not criticism of the collection, but rather a reflection of the fact that 1) I read it on Kindle, which doesn’t seem to ever stick in my memory, 2) much of it was (probably) grimmer information that I realized so I think my brain is kind of choosing to forget, and 3) 2021 was, as mentioned, a fiery hellscape, so I wouldn’t be surprised if I was experiencing some kind of stress-induced brain fog.

GoodReads Challenges

Screencap of a 2019 GoodReads challenge. One book behind, zero books read out of forty-eight.
So it begins.

I recognize that I should probably hate GoodReads. I’ll be the first to admit that its overbusy, hyperactive layout and tools are Not For Me. I don’t care what my friends are reading (sorry, y’all!) and I don’t need to see a constantly updated list of their ratings and reviews. I also don’t care about what the GoodReads/Amazon algorithms think I should read next, or what crappy and undeserving book has been voted the GoodReads Readers’ Choice. I care about keeping track of books I want to read (so easy to just send someone a link to my “to read” shelf!), keeping track of the books I have read, and motivating myself to actually get reading done—trying to keep pace with my GoodReads goal and the little thermometer on the homepage is the best way I’ve found to light a fire under my ass to actually finish books. I’ve been successful in all of them since I started officially keeping track, and I recall even using GoodReads to keep track of my annual book count as far back as 2009.

Which is why I’m posting about how it’s January 14 and I’m officially one book behind because I haven’t finished a single book out of the four I’m reading all at once.  To be fair, one of them is Ulysses, another is L’étranger in the original French, and the third is a Swedish textbook. The fourth is Kamila Shamsie’s Burnt Shadows, a book that’s been in my library since it was initially published but I seem really resistant to actually reading. Maybe I should grind that one out first, just to get something done.

My Favorite Books of 2018, According to GoodReads

Other years I’ve had to split my 5-star books into two posts, but this year I think they can comfortably be combined into one. Here were my reading highlights of 2018!

Cover of Reza Aslan's "Zealot: The Life and Times of Jesus of Nazareth"

Zealot: The Life and Times of Jesus of Nazareth

My criterion for rating a nonfiction book 5 stars on GoodReads is that it has the potential for widespread appeal, or that it masterfully addresses a major social or everyday question. Reza Aslan has done an excellent job of outlining the historical context of early Christianity and Jesus Christ.

Cover of Rien où poser sa tête

 

Rien où poser sa tête

I stumbled across this thanks to the review of the English translation in Asymptote. Its chance rescue from obscurity mirrors, almost too well, Frenkel’s own brushes with death in Vichy France. Out of all my reading in 2018, this one was probably the most relevant to today’s events and politics.

Cover of Proust and the Squid by Maryanne Wolf
Image courtesy Icon Books, Limited

Proust and the Squid

I waffled on whether to give Proust and the Squid 5 stars rather than 4, but decided in the end to be generous. While the story of the brain learns how to read isn’t the same urgent issue as Nazis or Christianity, it’s something almost all of us do and whose complexity we should all appreciate.

Cover of Sacred Economics by Charles Eisenstein
Sacred Economics

While Eisenstein might be more optimistic and naive than warranted, his explanation of economics, credit and inflation is the most cogent I’ve read and he dramatically shifted my attitude towards money and how I save and spend it. That’s what earned this book 5 stars from me, despite Eisenstein’s occasional lapse into conspiracy-adjacent tangents.

Ancillary Justice by Ann Leckie

Ancillary Justice

This one was a selection for Austin Feminist Sci-Fi Book Club, and it’s books like this that make me glad I’m allowed to lurk as a satellite member in Stockholm. Leckie’s world building and vision of technology is polished and nuanced. This is how space opera should be.

I mentioned before that 2018 was a weird year for my reading, and that’s reflected pretty clearly in the fact that I only gave one novel a 5-star rating. Historically, I’ve done much better than that. Thanks to studying for DipTrans and Kammarkollegiet, my way forward in nonfiction is pretty clear and structured at this point (though ironically none of those 5-star titles are related to translation!); my way forward in fiction is still grasping at random and hoping to find something good. All while trying to finish Ulysses, at that!

My Year in Books, 2018

This year was a weird year in books for me. It was the first year in almost a decade where I didn’t have a checklist of books I wanted to finish, so I was more adrift in my reading habits than usual. However, book clubs and the DipTrans recommended reading list provided some much needed structure, and they contributed a lot to my reading this year, in particular the Austin Feminist Sci-Fi Book Club.

I also want to document my favorite books of 2018, but this little widget is provides some interesting extraneous data not covered by a simple list of 5-star books. Not pictured in the screenshot above is my average rating for the year: 3.3. As it should be, statistically speaking.

My Favorite Novels of 2017, According to GoodReads

I’ve already tackled the best nonfiction I read in 2017. Now it’s time for the best novels.

A cover of John Okada's "No-No Boy," featuring the title in large red sans-serif text on top of a charcoal side portrait of a Japanese man facing right, eyes downward, against a light blue background.
Image courtesy University of Washington Press

No-No Boy, John Okada. I don’t know how I missed this novel until now. Okada deals with the unique struggles faced by Japanese-Americans in the post-war years, which coincide with the universal struggle of children to live up to their parents’ expectations—or escape their influence.

A cover of Eleanor Wasserberg's "Foxlowe," featuring a monochrome illustration of a house flanked by two leafless trees with a large orange sun (or full moon) in the background. Orange leaves surround the image, as if blown off the trees, and dark blue and black clouds frame the entire thing.
Image courtesy Fourth Estate

Foxlowe, Eleanor Wasserberg. Another reason I do this annual round-up is to make sure I didn’t miss cataloging any important reads on the blog and somehow I missed talking about Foxlowe! A review is forthcoming, but the short version is that Foxlowe documents the decline and fall of a commune (or cult?) in a rambling old house called Foxlowe, from the perspective of a young girl who grew up in it and then finally left. I’d like to thank Universe in Words for bringing this book to my attention, because I don’t think I would have heard about it otherwise.

Cover of Akwaeke Emezi's novel "Freshwater."
Image courtesy Groove Press.

Freshwater, Akwaeke Emezi. For years, my reading has focused on classics I somehow missed or overlooked in my education, so I’ve been missing out on new releases for a while. Freshwater was the first bleeding-edge new release I’ve read in a long, long time, and it was worth it. A potent reminder that new classics are coming out every day.*

Cover of Meindert deJong's "The Wheel on the School" featuring a watercolor illustration by Maurice Sendak of five young boys and one girl in traditional Dutch clothing standing in front of a yellow wall, pointing and looking at a stork flying against a clear blue sky.
Image courtesy Harper Collins.

The Wheel on the School, Meindert DeJong. I haven’t reviewed this one here yet because I only read it on Christmas Eve. More specifically, I only re-read it on Christmas Eve. This is one of my favorite books from childhood, and it didn’t disappoint upon reading it again as an adult. (In fact, I’m sure I got much more out of it now than I ever did as a child.) What is, on the surface, a simple story about Dutch children who want storks to come back to their little fishing village of Shora is about so much more: about community and compassion and the importance of wondering and having dreams.

So that wraps up the best in reading for me in 2017. What were the best novels you read? I’d love to hear about them! Comment here or let me know on Twitter.

*indicates a book I received free of charge from NetGalley in exchange for a review; the review was already posted elsewhere

My Favorite Nonfiction Books of 2017, According to GoodReads

I enjoy GoodReads’s little “Your Year in Books” widget they roll out at the end of every year, but my favorite thing to look back on at the close of a year (or more accurately, the beginning of every new one) is how many 5-star books I read. That was only four in 2015In 2016, I handed out only five. I was a little luckier (or maybe a little more generous?) in 2017 and handed out eight. Seven if you don’t count a re-read of one of my favorite childhood books.

This year I’m splitting the nonfiction and the novels into two different posts. Part of it is because I have slightly different criteria for 5-star reviews in fiction and nonfiction, and part of it is because I read enough 5-star books this year that a single post dedicated to all of them would border on unwieldy. This first installment covers the best nonfiction I read in 2017.

Politics and Social Justice

The cover of Kate Moore's "Radium Girls: The Dark History of America's Shining Women"

The Radium Girls: The Dark Story of America’s Shining Women, Kate Moore. I had already known about the radium dial-painting disaster as a footnote in the history of radium and nuclear science, so I was glad to see the topic get its own full treatment. The radium dial companies’ continuing priority of profits over worker health, and their subsequent refusal to accept blame for so much suffering and to make it right, remains relevant today, nearly 100 years later. Moore’s research is exhaustive, which can sometimes make for overwhelming reading, but it all deserves to be chronicled.*

The cover of Sarah Kendzior's "The View from Flyover Country," featuring a view of the St. Louis Arch through a window.

The View From Flyover Country: Essays by Sarah Kendzior, Sarah Kendzior. I enjoy her writing for De Correspondent, so I bought an ecopy of this essay collection (predating the 2016 election) to have  as subway reading.

Memoirs

Black and white cover of May Sarton's "Journal of a Solitude," a shot of an empty desk light by a lamp from outside a window.
Image courtesy W. W. Norton & Company

Journal of a Solitude, May Sarton. Walden was one of my favorite books I read in high school, and one that deeply influenced me. With the account of Thoreau’s stay in the woods fresh in my mind, I picked up this up at a library sale years ago. But much as I wanted to read it, I somehow dropped off after a few pages every time I attempted until I read it during my trip to the US this summer. Maybe it was a question of needing enough time to get into it; maybe it was a question of age or life path. But I’m so glad I hung on to this book through countless library down sizes.

 

The cover of John Kerstetter's "Crossings," featuring bullets and scalpel in an "X" shape.
Image courtesy Crown Publishing, Inc.

Crossings: A Doctor-Solider’s Story, Jon Kerstetter. Kerstetter’s account of growing up on, then off, then on an Oneida reservation to become a doctor and then a medic in the US army until he suffered a stroke (an aspect of his life curiously absent from the subtitle or marketing text) is gripping and sometimes heart-rending reading.*

A cover of Ester Blenda Nrdström's "Amerikanskt," featuring a college of vintage photographs, including a young woman in denim overalls and a white bucket hat.
Image courtesy Bokhåll.

Amerikanskt, Ester Blenda Nordström. Much like America Day by Day, I found this account of Nordström’s travels throughout the United States in the 1920s fascinating, both as a snapshot of an America long gone by and also as the perspective of an outsider and first-time visitor.

Part 2, featuring the best novels I read last year, coming later this week!

*indicates ebook copies I received free of charge from NetGalley in exchange for a review; reviews were already posted elsewhere and I genuinely loved these books.

My Favorite Books of 2016, According to GoodReads

A new year is now well underway, so time to look at the best books I read last year!

On GoodReads, I handed out a total of five 5-star ratings. (This out of 46 books total: I confess to being stingy with my stars.) Two of them went to travel memoirs, two of them went to science writing, and the last one went to a novel. In my GoodReads round-up of 2015, I ordered things chronologically. This round-up will be ordered thematically, as it includes more than just novels.

Travel Memoirs

1. America Day by Day, Simone de Beauvoir; English translation by Carol Cosman

Image courtesy University of California Press

Reading de Beauvoir’s perceptions of the US and its citizens as an American myself was a strange but thoroughly satisfying experience; all the more so during a contentious and (ultimately) disappointing election year. Cosman’s translation is elegant, though I say this without having read the original French. (I do say this, however, with having read Leonard M. Friedman’s translation of The Mandarins and attempting Constance Borde and Sheila Malovany-Chevalier’s translation of The Second Sex.) America Day by Day is treasure trove of insights into the American psyche and quotes and observations that feel as relevant today as they did in the late 40s, coupled with picturesque descriptions of the American landscape.

 

2. The Road to Mecca, Muhammad Asad

Image courtesy Fons Vitae

The Road to Mecca is half travel memoir and half religious conversion story. If it was bittersweet to read about de Beauvoir’s frustration with cynical and disaffected American youth (passages that might well have been written today), it was heartbreaking to read about Asad’s travels through cities like Damascus and Aleppo–passages that never could have been written today. As rhetoric in the US and Europe surrounding Muslim immigrants and refugees becomes more and more inflamed, books like Asad’s become more and more necessary.

 

Science Writing

3. Cure: A Journey Into the Science of Mind Over Body, Jo Marchant*

Image courtesy Broadway Books

The subtitle there is unfortunate, as Marchant never promotes the kind of message you see in things like The Secret (i.e. “You just need to want to cure your cancer!”). Instead, she takes a look at all of the ways the placebo effect can mitigate illness and promote health, and how it can be incorporated into evidence-based medicine. Marchant thoroughly documents her journalism and seeks out patients, scientists, and health professionals alike.

4. What is Fat For? Re-Thinking Obesity Science, Ignatius Brady, MD*

Image courtesy Ignatius Brady

In my non-professional life, I practice and promote body positivity, which led me request this book from NetGalley. What is Fat For? ties together years of bariatric medicine research and experience. The book is remarkable not only for its level-headed insight, sympathy, and avoidance of hype, but for its outstanding quality as a self-published book. This is fodder for another post, probably, but I will say this here: my problem with the increase of self-publishing authors is that many of them, especially new authors, do not put in the effort or the expense to put out the highest quality of work possible. What is Fat For? is the first self-published book I’ve read that is just as polished and well-written as anything from one of the Big 5. More importantly, I think it could be a valuable part of the body positivity movement’s toolkit.

Novel

5. The Fifth Season, N. K. Jemisin

Image courtesy Orbit Books

Through what must have been countless hours of effort, Jemisin managed to produce an eminently readable, beautiful novel while hitting many of popular literature’s recent trends (post-apocalyptic dystopias). I’ve been a nerd for as long as I can remember; this includes all of the attendant stereotypes about taste in literature. As I’ve grown older, though, I’ve become rather picky. Sturgeon’s Law aside, it does seem like there is a tendency for genre authors to allow the whiz-bang of their chosen genre to make up for pedestrian writing. Not so with Jemisin and The Fifth Season, which is maybe best described as a post-apocalyptic fantasy take on Beloved. I don’t know how I managed to forget to put up a review here; I’ll have to fix that posthaste. (Possibly I’ll wait until I finish reading the entire trilogy.)

*indicates I received a free ebook copy from NetGalley in exchange for a review. Both of those reviews have already appeared elsewhere.

My Favorite Books of 2015, According to GoodReads

It took me a long to realize it, but I love organization. Specifically, I love record-keeping: diaries, lists, even some sad attempts at scrapbooking. One of my favorite record-keeping tools is GoodReads. Reading is important to me, and being able to keep track of what I read, when I read it, and what I thought about it is immensely satisfying for reasons I can’t really identify. Since 2007, everything I’ve read has been meticulously rated and catalogued. One unintended result of this records obsession is that I can effortlessly track my reading habits and trends. What were my favorite and least favorite books in a given year? What did I read the most of?

My Favorite Books of 2015

Image courtesy semiphoto on MorgueFiles

I gave only four 5-star reviews last year: Ruth Ozeki’s A Tale For the Time Being (quite recent), NoViolet Buluwayo’s We Need New Names (also quite recent), Malcolm Lowry’s Under the Volcano (not so recent), and Pär Lagerkvist’s Barabbas (also not so recent).

February 2015: Under the Volcano, Malcolm Lowry

It’s been my goal for the last few years to read every novel on the TIME Top 100 Novels of the 20th Century list, which is how I stumbled across Under the Volcano. As a revered English classic, the book needs no selling, no praise, no recommendation.

What struck me was Lowry’s complex and intricate prose and the examination of expatriate life. Having lived for a few years in South Korea, the genre of “expats and tourists behaving badly” holds a special place in my heart: The Sun Also Rises, The Sheltering Sky, Tropic of Cancer, and Giovanni’s Room were some of my favorite reads in my tour of 20th century English literature. Under the Volcano is part of that genre, but also more. It’s a lyrical character study, a sympathetic, heart-wrenching exploration of alcoholism and interpersonal relationships, and a study of Mexican politics in the 1930s.

 

May 2015: A Tale for the Time Being, Ruth Ozeki

I think the only reason A Tale for the Time Being isn’t on the TIME Top 100 list is because it was published in 2013 and the TIME list was assembled in 2005. I hope so, anyway.

In brief, A Tale for the Time Being is about a woman in Canada, Ruth, who finds and reads a diary that washed up along the coast. It turns out to be written by a Japanese schoolgirl, Nao, some years earlier.

Of course it’s also about much more than that. There’s prehistoric flora, quantum entanglement, philosophy, Zen monks, and insects (among others). But everything falls under that found diary and Ruth’s relationship to it.

Ozeki displays an incredible technical range. She ends up writing from the perspective of five different people (not all of them are equally prominent; I don’t think it’s a spoiler to say that the book focuses primarily on two of them, so the book is much more focused than it sounds like it would be with five different protagonists) and gives them all incredibly distinct and personal voices. There are other metatextual indications when the writing shifts perspective, like a different font or a chapter title or so on, but Ozeki gives each of them a strong enough voice that you would be able to tell anyway.

A Tale for the Time Being is not only a technical achievement, though. Ozeki also creates a compelling story. After rationing out portions of the book like literary chocolate, at maybe halfway through I just binged and read the whole thing. I might have cried. (As in: I cried.)

If you’re in the mood for experiments with narrative form, bildungsroman, or a sampling of Japanese history and philosophy, A Tale for the Time Being is for you.

 

December 4th, 2015: We Need New Names, NoViolet Bulawayo

This book was a mostly-random selection from the “world literature” shelf at the library. “Mostly-random” because I’d heard a little buzz about it beforehand; enough that I checked this book out when I couldn’t find anything from my TIME Top 100 list. (It seems Stockholm biblioteket’s copy of The Buddha of Suburbia is lost forever.) Like A Tale for the Time Being, I think We Need New Names would be a strong contender for an updated and more diverse TIME Top 100 list.

We Need New Names is about the Zimbabwean Darling, first as a child in Zimbabwe and later as a teenager in the United States. Bulawayo’s short story “Hitting Budapest” won the Caine prize, and she later expanded it into a novel. The book lends itself to comparisons with Adichie’s Americanah; I think readers who like one will like the other. The difference (aside from setting) is in focus: Bulawayo focuses on details and short episodes, leaving much implied or suggested, while Adichie went for a grand epic of everything. Bulawayo’s voice is also unique and clear. For a sample, you can read “Hitting Budapest” online.

 

December 27th, 2015: Barabbas, Pär Lagerkvist

This one was a reread for me. You might recall my earlier lament that Lagerkvist English translations are few and far betweenBarabbas is one of his works that has an English translation, and a good one at that. That’s how I originally read it in university. Last year I picked up a copy from the library to give it another go, this time in the original Swedish. Lagerkvist’s style is sparse and straightforward, and the novel itself is quite short, so it was good Swedish practice for me. Likewise the English translation would be good English practice.

Barabbas is the story of Barabbas, the criminal who walked free while Christ was crucified. Lagerkvist tells us the story of this marginal figure, exploring the issues of faith, doubt, and belief through Barabbas’s struggle to understand his fate and the nascent Christian faith.

What were your favorite books that you read in 2015? Are you on GoodReads? If you like, you can follow me there.