My Favorite Nonfiction Books of 2017, According to GoodReads

I enjoy GoodReads’s little “Your Year in Books” widget they roll out at the end of every year, but my favorite thing to look back on at the close of a year (or more accurately, the beginning of every new one) is how many 5-star books I read. That was only four in 2015In 2016, I handed out only five. I was a little luckier (or maybe a little more generous?) in 2017 and handed out eight. Seven if you don’t count a re-read of one of my favorite childhood books.

This year I’m splitting the nonfiction and the novels into two different posts. Part of it is because I have slightly different criteria for 5-star reviews in fiction and nonfiction, and part of it is because I read enough 5-star books this year that a single post dedicated to all of them would border on unwieldy. This first installment covers the best nonfiction I read in 2017.

Politics and Social Justice

The cover of Kate Moore's "Radium Girls: The Dark History of America's Shining Women"

The Radium Girls: The Dark Story of America’s Shining Women, Kate Moore. I had already known about the radium dial-painting disaster as a footnote in the history of radium and nuclear science, so I was glad to see the topic get its own full treatment. The radium dial companies’ continuing priority of profits over worker health, and their subsequent refusal to accept blame for so much suffering and to make it right, remains relevant today, nearly 100 years later. Moore’s research is exhaustive, which can sometimes make for overwhelming reading, but it all deserves to be chronicled.*

The cover of Sarah Kendzior's "The View from Flyover Country," featuring a view of the St. Louis Arch through a window.

The View From Flyover Country: Essays by Sarah Kendzior, Sarah Kendzior. I enjoy her writing for De Correspondent, so I bought an ecopy of this essay collection (predating the 2016 election) to have  as subway reading.

Memoirs

Black and white cover of May Sarton's "Journal of a Solitude," a shot of an empty desk light by a lamp from outside a window.
Image courtesy W. W. Norton & Company

Journal of a Solitude, May Sarton. Walden was one of my favorite books I read in high school, and one that deeply influenced me. With the account of Thoreau’s stay in the woods fresh in my mind, I picked up this up at a library sale years ago. But much as I wanted to read it, I somehow dropped off after a few pages every time I attempted until I read it during my trip to the US this summer. Maybe it was a question of needing enough time to get into it; maybe it was a question of age or life path. But I’m so glad I hung on to this book through countless library down sizes.

 

The cover of John Kerstetter's "Crossings," featuring bullets and scalpel in an "X" shape.
Image courtesy Crown Publishing, Inc.

Crossings: A Doctor-Solider’s Story, Jon Kerstetter. Kerstetter’s account of growing up on, then off, then on an Oneida reservation to become a doctor and then a medic in the US army until he suffered a stroke (an aspect of his life curiously absent from the subtitle or marketing text) is gripping and sometimes heart-rending reading.*

A cover of Ester Blenda Nrdström's "Amerikanskt," featuring a college of vintage photographs, including a young woman in denim overalls and a white bucket hat.
Image courtesy Bokhåll.

Amerikanskt, Ester Blenda Nordström. Much like America Day by Day, I found this account of Nordström’s travels throughout the United States in the 1920s fascinating, both as a snapshot of an America long gone by and also as the perspective of an outsider and first-time visitor.

Part 2, featuring the best novels I read last year, coming later this week!

*indicates ebook copies I received free of charge from NetGalley in exchange for a review; reviews were already posted elsewhere and I genuinely loved these books.

Reveiw: American English, Italian Chocolate: Small Subjects of Great Importance

I am a sucker for a great essay collection. There is an art to crafting short writing, fiction or otherwise, that I admire in others and wish I could cultivate for myself. Incidentally, despite my struggles with brevity, I am absolutely ruthless when it comes to editing other people’s short writing. I have a friend on a short story kick who can attest to the extent of my cuts (and actually, you’ll blog-meet him soon enough). But the only way to get better at short-form writing is to read a lot of it, right? So when this collection turned up on NetGalley, how I could turn it down?

American English, Italian Chocolate is a memoir in essays beginning in the American Midwest and ending in north central Italy. In sharply rendered vignettes, Rick Bailey reflects on donuts and ducks, horses and car crashes, outhouses and EKGs. He travels all night from Michigan to New Jersey to attend the funeral of a college friend. After a vertiginous climb, he staggers in clogs across the top of the Leaning Tower of Pisa. In a trattoria in the hills above the Adriatic, he ruminates on the history and glories of beans, from Pythagoras to Thoreau, from the Saginaw valley to the Province of Urbino.

Bailey is a bumbling extra in a college production of Richard III. He is a college professor losing touch with a female student whose life is threatened by her husband. He is a father tasting samples of his daughter’s wedding cake. He is a son witnessing his aging parents’ decline. He is the husband of an Italian immigrant who takes him places he never imagined visiting, let alone making his own. At times humorous, at times bittersweet, Bailey’s ultimate subject is growing and knowing, finding the surprise and the sublime in the ordinary detail of daily life.

Author: Rick Bailey

My Goodreads rating: 2 stars

Average Goodreads rating: 4.22 stars

Language scaling: B2+

Recommended audience: Those interested in short-form nonfiction writing, whether for its own sake or for the sake of improving their own.

In-depth thoughts: Essays! Cross-cultural marriages! Everything I should love! But this collection fell a little flat for me. There was no “surprise” or “sublime” for me in these rambles through the details of the everyday; just a sort of mild interest. The only essay that really got close to something for me was “For Donna, Ibsen, Pepys, Levitation,” which touches on one of his “non-traditional” (read as: single mother returning to school after a long absence) literature students who was trying to balance her passion for the class with raising her kids and trying to stay safe from her abusive ex-husband. But even that doesn’t hit the mark entirely. After a seemingly innocent lefthand turn into levitation, Bailey fails to bring it back around to the central moment in the essay: Donna, the mother and abused woman and eager literature student. Here’s the jump Bailey makes, once you take out the long, extended aside on levitation:

“I saw Ghosts on the syllabus, you know what I thought of?”

It’s my turn to laugh. “Patrick Swayze?”

“In school, like in ninth grade, we did this thing called levitation.” She gives me an embarrassed look. “Did you ever levitate?”

Seeing Donna in class, reading and thinking and sharing, was like witnessing a levitation.

There’s probably over twice as much material spent on the history of the parlor trick, dead Englishmen’s thoughts about it, and Bailey’s memories of it than on the living, breathing human in front of him, and it just feels off. While none of the other essays were this off for me, they were all equally detached and disinterested from their subject matter, except when it concerned Bailey’s own reminisces. Maybe he should have just written a straight-up memoir?

I was also a little confused over the title, or rather the title in connection with the description. I went in expecting a lot more about cross-cultural marriages, about immigration, about adapting to new cultures (or being around those who have to adapt to a new culture), and everything else that comes with those huge life milestones. And yet, nothing.

I majored in English in college, specifically creative writing, and sometimes I wondered if I should have taken myself and my writing a little more seriously by pursuing an MFA afterwards. But the writers my professors brought to campus to give readings or to guest lecture, and even what they wrote themselves, had an American University Workshop-y sameness to the writing (even if it was good) that I could maybe pretend to like but never be able to bring myself to write. There were ideas in here that I liked, but they were painted over with that workshop-y sameness to the point where it was hard for me to maintain my interest.

While I might be tempted to point to one of these essays if I ever tackle personal essays or memoirs in a lesson, American English, Italian Chocolate was just not my cup of tea, and I don’t know if I would necessarily recommend it to EFL students.

Book Review: Both Flesh and Not

The posts here have been very book-heavy recently. While I don’t feel I should, exactly, apologize for that, I feel like I should at least explain it. I did a surprise burst of reading at the end of last year and have been trying to get on top of it now so that my posts for the rest of the year won’t just be catch-up or weirdly untimely (seems a bit pointless to have a GoodReads round-up post in March). The alternative is to not feature my reading here at all, but 1) I feel that my reading, both for fun and for professionalism, is relevant to what I do and 2) I like talking about books.

In that vein, here is the first book I finished in 2017.

Image courtesy Little, Brown and Company

Author: David Foster Wallace

My GoodReads rating: 4 stars

Average GoodReads rating: 3.85 stars

Language scaling: C1+

Recommended audience: Pop culture junkies, word aficionados, recovering pedants, English nerds

In-depth thoughts: I received this book as part of my book club’s end-of-year book swap, which made for a very pleasant surprise in the mail! Anyone who pokes around my GoodReads profile can see right away that David Foster Wallace is one of my favorite writers—a friend recommended him to me as we both (that is: both Wallace and I) were English/philosophy double majors in college, which I guess is a flimsy reason to like an author; presumably this friend also recommended Wallace because of his brilliant writing, which is a much more solid reason to like an author. Somehow, despite my near-obsession, I never got around to buying this posthumous collection for myself (or even learning of its existence).

More Flesh Than Not is probably more appropriate for English lovers than it is for English students. One can be both, of course, but you really need a borderline unhealthy love for the language to enjoy Wallace’s dense, complex, and sometimes highly stylized writing. Professional language regulators (that is to say: editors, teachers, etc.) might find “Twenty-Four Word Notes” of interest, where Wallace lets his inner pedant have full rein. “The Nature of the Fun” offers solace and something like comfort (maybe) to fellow writers. And anyone who loves reading—like maybe chronically, dysfunctionally, really really loves—will surely appreciate Wallace’s ability to get to the heart of a book in his reviews and to give works the serious look they deserve, from short-form reviews (“Mr. Cogito” and “Overlooked: Five direly underappreciated U.S. Novels >1960”) to in-depth and quite frankly multidisciplinary framings (“The Empty Plenum: David Markson’s Wittgenstein’s Mistress” and “Rhetoric and the Math Melodrama”), and anything in between (“Borges On the Couch” and “The Best of the Prose Poem.”)

Finally, this collection uses selections from Wallace’s own word list (assembled while he was working on the Oxford English dictionary) as something like illustrations? section breaks? between each essay. Whether you find that charming or a gimmick depends on taste, I suppose. I fall in the former camp. There’s something very intimate and personal about a glimpse into the words that someone found fascinating, confusing, or anything else necessitating a dictionary consultation. It’s an appropriate touch and I appreciate it.