I’m planning on doing a buddy read of Ulysses this year, and much as I love and patronize libraries, some books are impossible to read unless you own them and have access to them at your leisure. (How many times did I try reading a library copy of The Second Sex, for example?) I spent the afternoon in town browsing The English Bookshop, and while I ended up having to special order Ulysses from their Uppsala store, the chance to browse the random selection led to me finding books I wouldn’t have otherwise. 2023: A Trilogy was one of them.
Authors: The Justified Ancients of Mumu, aka The Kopyright Liberation Front, aka Bill Drummond and Jimmy Cauty
My GoodReads rating: 3 stars
Average GoodReads rating: 3.67
Language scaling: B2+
Summary: A “found footage” type of story. At the most basic level, the story is a satirical sci fi dystopia/utopia where five corporations benevolently rule the world and a programmer named Winnie Smith might just have solved the problem of immortality.
Recommended audience: Anyone who thought the original Illuminatus! trilogy was too much of a slog, leftover KLF fans, anyone who enjoys meta and self-referential texts, pop music nerds, anyone nostalgic for the 80s and 90s
In-depth thoughts: A boy I had a crush on in high school thought the Illuminatus! trilogy was one of the best books ever written and so I devoted a summer to trying to read it. I made it halfway through and never finished, but it was enough that even years later I can recognize the countercultural significance of things like 23, 17, and fnords.
This is important because Drummond and Cauty have packed 2023 full of Illuminatus! references (mixed in with the literary and pop music references). If I hadn’t been able to call back to those particular references, I might well have been too lost to appreciate the book.
It’s a fun read if you’re either in the know or thirsty for meta, slightly experimental satirical science fiction. Whether or not this would be a good read for English students depends on how familiar they are with the cultural references in question, and how willing they are to track different narrative levels. The language itself isn’t too difficult, but the allusions and the metanarratives might be too frustrating for some readers.
The June selection for my Facebook book club was The Spider King’s Daughter, the debut novel by Chibundo Onuzo. I went in hoping that it would pull me out of the book slump brought on by Radiance, How I Became A North Korean,Gena/Finn, and the middle grade books I previewed for some of my students. The Facebook book club has the best hit/miss ratio out of all three that I’m in, after all.
Author: Chibundu Onuzo
My GoodReads rating: 3 stars
Average GoodReads rating: 3.42
Language scaling: B2+
Summary: Abike, the daughter of a wealthy (and shady) businessman, encounters “Runner G,” a street hawker with a tragic past, and the two begin a relationship. Things take an unexpected turn when Runner G takes a fresh look at his own history.
Content warning: The book opens up with a gruesome scene of animal cruelty, but everything else afterwards is fairly tame
Recommended audience: Thriller fans; YA fans looking for something a bit grittier; those interested in Nigerian literature
In-depth thoughts: Onuzo is an engaging writer and I hope she continues down that path. (Her second book, Welcome to Lagos, came out last year. Hurrah!) This was engaging at a time when nothing else I was reading could capture my interest and Onuzo deserves a lot of praise just for that.
My favorite parts of the book all involve spoilers. I will say this: what starts as a meet cute adolescent love story takes on an unexpectedly darker tone. Or maybe I should have been expecting that, considering that the book opens with Abike telling us about how her father had her beloved dog deliberately run over.
Most of the reveals were more or less obvious, but the book doesn’t rely on the shock of those reveals for impact. I think, even, Onuzo expects readers to already know the truth from the very beginning. It’s how the characters react to these reveals that’s engaging and unexpected.
The book switches between Abike and Runner G’s perspectives, with Abike’s in italics. Reading extended passages in italics is straining, at best, but Onuzo’s prose (and the short paragraphs) make it much easier than in other books (James Agee’s posthumous A Death in the Family, for example). At the book’s climax, when we switch between Abike’s and Runner G’s perspectives rapidly—at every line, for a short while—this typesetting choice proves very necessary.
Set in Lagos and with secondary characters from poverty classes with little or no education, there is a fair amount of pidgin English and Nigerian slang in the dialogue. Readers will be able to discern meaning from context in most if not all cases, but EFL readers might be a little disoriented at its initial appearance.
The June selection for Austin Feminist Sci-Fi Book Club was Catherynne M. Valente’s Radiance. I didn’t know it, but Valente was already on my book radar thanks to The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making. Now I’m wondering if I can bring myself to read it.
Author: Cathrynne M. Valente
My GoodReads rating: 2 stars
Average GoodReads rating: 3.77
Language scaling: C1+
Summary: In an alternate history, where the human race masters interplanetary travel at around the same time they figure out movies, a young woman disappears on Venus while shooting a documentary about a ravaged diving village.
Content warning: Some surreal gore here and there.
Recommended audience: Fans of postmodern literature, alternate history fans
In-depth thoughts: I wanted to like this one and I didn’t.
If I had to pick one word to describe Radiance, it would be “overindulgent.” The structure Valente chooses (or rather, the lack of structure) does nothing to contain this tendency towards overblown wordiness or direct us to an understanding either of events or character.
Take, for example, Where’d You Go, Bernadette? Like Radiance, there is a whole bunch of documentation (rather than narration), but in Where’d You Go, Bernadette?, it all works to move the story forward and every single scrap in there contributes something to the story. Not so in Radiance. I quickly sorted out the bits that were most likely to move the plot along, read those, skipped the rest. At least the book is well labeled, which makes for easy fast-forwarding.
The other thing that makes Radiance overindulgent is the style. Valente’s writing is, as another reviewer put it, “high-octane purple prose.” It’s overwrought, it’s too much, and while I get it’s supposed to be an art deco gothic and therefore can be expected to be a bit much, it’s a bit much everywhere. It works in some situations (gossip columns, a few personal diaries) and falls flat in others (transcripts of conversations: actual human beings don’t talk like that).
There’s another layer to Radiance, or at least there’s supposed to be, about how the narratives of our lives and celebrity lives are constructed and so on and so forth, but it was just really hard to care because the writing and presentation is so distant from what it’s conveying that it’s impossible to care about any of the characters. It’s impossible even to know them, for the most part.
Valente is clearly a competent, if not talented, writer, but in Radiance she gets caught up in her own hype and it feels like no one around her told her “no.” As far as novels for EFL students go, or postmodern science fiction, there are better choices out there.
I’ve been interested in Korean politics ever since I lived and taught there in 2009/2011/2012. It’s an “automatic read” category of literature and books for me, which is why How I Became a North Korean was my first impulse library book in over three years.
Author: Krys Lee
My GoodReads rating: 2 stars
Average GoodReads rating: 3.5
Language scaling: B2+
Summary: Danny, Jangmi, and Yongju are three young people unexpectedly caught up in the complicated web of North Korean refugee movement along the Chinese/North Korea border.
Content warning: There is an unwanted abortion that happens outside the story, and a couple of murders that happen right on the page, though not particularly gruesome or extended.
Recommended audience: Those interested in Korean politics and North Korean defectors
In-depth thoughts: The book summary promises a “found family” sort of story, which is one of my favorite tropes. The story doesn’t really deliver on that promise, however. The three main characters don’t interact all that much and their connection to each other, emotionally as well as story-wise, is tenuous at best. Nor does Lee really find a strong voice for each perspective, meaning that the different parts of the story and the different characters begin to blend together.
There is also the question of how much of a foreign language to include when you’re writing, in English, a story where no one speaks English. Some choices were the same as I would make, but some felt a little unnecessary. Of course, Lee is bilingual and I’m not—I really only know “just enough to be dangerous,” as the expression goes—so maybe her Korean/English bilingual readers would disagree with me.
Ultimately, the story moves along at a good clip and Lee’s writing style is fluid, so it’s a quick read. But at the end of it, I felt like I would have rather read an account of all of her research rather than the novel I had just finished.
I can’t imagine a title more attention grabbing than one about badass librarians. And for anyone who loves books, knowledge, or the written word, the story of how a modern Library of Alexandria tragedy was avoided is something that gets you right in the gut.
Author: Joshua Hammer
My GoodReads rating: 2 stars
Average GoodReads rating: 3.47
Language scaling: B2+
Summary: Abdel Kader Haidara, after years of careful negotiations and curation, managed to assemble a peerless collection of ancient Malian manuscripts, both Islamic and secular. But when Al Qaeda took over Timbuktu, the manuscripts—works of art in themselves that also advocated for religious tolerance and scientific curiosity, even in the 13th century CE—became a target of Islamic extremists. Haidara and other archivists worked hard to smuggle these literary treasures to a safety.
Recommended audience: Those interested in current events; those interested in Malian history; anyone who still despairs over the loss of the library of Alexandria
In-depth thoughts: The title suggests that the book will focus on the manuscripts and the mission to save them. In reality, the focus is more on the sectarian violence in Mali in the early 2010s. An extraordinary amount of detail about developments and actors in the political situation is provided when a simple summary would have sufficed. There are also fairly substantial histories both of Timbuktu’s history as a center of intellectualism and art and of Haidara’s treks across the Sahara to obtain these manuscripts, of course, but those feel a little more relevant to the topic at hand. I suspect that the lefthand turns into Al Qaeda’s takeover of Timbuktu are the reason that I kept falling out of the book and why it took me several months to finish.
A fortunate turn of events meant that a little over a week ago, I was able to finish my usual Saturday obligations earlier than usual and meet a friend in town to attend Stockholm Kulturnatt.
Even though Kulturnatt has been an annual event in Stockholm since 2010, this year was the first I’d heard of it. I’m glad I was able to make time this year, but I’m also a little disappointed at all of the years I’ve missed!
I didn’t know quite what to expect, except free admission to assorted “cultural events.” But I’d been thinking recently that I don’t really do enough to actually enjoy Stockholm (aside from my annual treks to Litteraturmässan), so Kulturnatten seemed like a good way to remedy that. I met up with a friend from Meetup, Thomas, with plans to meet other friends of his later in the evening. We queued forever, which seemed ridiculous since it was a free event.
“Maybe they’re counting heads for fire capacity?” I suggested.
“But the building’s huge!”
“Bureaucracy.”
As it turned out, the bottleneck that was leading to queuing was the clerk at the desk, explaining the evening’s program (a couple of lectures and a self-administered quiz) to visitors.
“Jesus, is this it? This is so awkward. Can’t we just walk past?” I asked no one in a low voice, but shuffled up to the desk to hear the presentation nonetheless. No ticket was given, no name taken, nothing. We smiled at the clerk and took the flyer and the quiz and then went on our way. A safe distance from the counter, we laughed.
“That was the entire reason for the queue. That was, literally, the most Swedish thing I’ve ever seen,” Thomas said. “People queuing because they’re too polite to just walk by. Oh, God. In Britain people would have figured it out and just walked past, given a little nod. Oh, Sweden.”
We had a wander around until his Couchsurfing friends showed up; a mutual Finnish friend of ours had been ahead of us in the queue and was off somewhere with her own friends. The Army Museum wouldn’t have been my first choice, so I didn’t pay too much attention to anything (though I still learned about the S-363 incident, so that’s something); I was pleasantly surprised to see placards featuring wartime literature (George Orwell, All Quiet on the Western Front, Bödeln). By the time the rest of the group arrived, Thomas and I had pretty much had our fill, so after confirming we’d missed the last lecture of the evening, we waited by the entrance for the Couchsurfers to finish the quiz.
The de facto leader of our little group, by virtue of her nerdy enthusiasm, wanted to go to the Nobel museum, so once she and the other Couchsurfer finished the quiz, off we went. Meanwhile, the Finn and her friends had since departed for the Finnish Institute without catching up to us—ships in the night. Thomas and I stayed with the Couchsurfing friends at the Nobel museum for just a brief moment; Thomas read the mood and came to the conclusion that the male half of the Couchsurfing couple was really interested in a date night with Excitable Nerd, so we broke off and made for SF Bokhandeln, with a pit stop at Storkyrkan.
“I’ve never been in here,” he commented.
“I don’t think I have, either.”
They were having a choral performance which I would have been happy to stay and listen to, but I also took the time to wander around a bit like a tourist. (I didn’t think to take any pictures, though. I guess not that much of a tourist.)
Such opulence and artistic finery surprised me in a nominally Lutheran church, and I said as much to Thomas.
“Yeah, that didn’t come until the Communists. They used to be Greek Orthodox or whatever before that.”
I thought of the occasional midnight Easter and Christmas services I had attended at my dad’s childhood Eastern Orthodox church, so much bigger and fancier than the Methodist church I had grown up with. “That explains it.”
We both had a chuckle over the prayer candles that now, in addition to (or maybe instead of?) the donation box, simply had a sign with a phone number where you could Swish your donation.
After a few minutes, we turned tail and headed for SF Bokhandeln. We were too late for any of their events, so we just browsed. I ended up picking up Hanabi, which I hadn’t seen the last time I was there. I also picked up a book for Austin Feminist Sci-Fi Book Club that I was having a hard time getting from the library. I’ve since started reading it and unfortunately I’m having a bit of buyer’s remorse. So it goes.
“I wonder how long it would take you, if you just sat down and tried to read the whole shop. Years?” Thomas wondered, picking up and putting down a generic-looking space opera book. “Like, this is the kind of stuff I want to have time to read, but I just end up reading the summary somewhere instead.”
“I mean, not all books are good books. Some are only worth the Wikipedia plot synopsis.”
Finnish friend had shaken her group and landed at a bar on Sveavägen and asked us to come join her. The weather was nice, so we capped off the night with a walk from Gamla Stan to Hötorget. So clear! So warm! Nothing like moving a few degrees’ latitude north to make you appreciate the shift in seasons. If this isn’t nice, what is? But it had been a long day for me (I was up at 6 am!), so after the walk, I bowed out of drinks and went home.
There were still lots of events that I wish I had attended (concerts, primarily), but for my first year at Kulturnatt and going in completely unprepared, I had a really good time. I’ll certainly be marking my calendar for next year’s, and hopefully a little more planning means I’ll get a lot more out of it!
Generally positive reviews of Gena/Finn were making the rounds through some of my favorite book bloggers and BookTubers (still not sure what the capital letters rule is for that one…), so I added it to my TBR and included it in my suggestions for my Discord book club. It ended up being our selection for August and like with My Real Children I decided to get ahead of the agenda.
Author: Hannah Moskowitz, Kat Helgeson
My GoodReads rating: 2 stars
Average GoodReads rating: 3.37
Language scaling: B1+*
Summary: Gena and Finn are two fans of the same cop drama show, and become close friends offline.
Recommended audience: People who have made friends on the Internet thanks to fan culture
In-depth thoughts: I had really personal reasons for being interested in this book and for recommending it for my Discord book club. Most of my friends in high school were of the Internet variety, out of a group of fans of a particular TV show. Even though I was never really active in “fandom” as such (I don’t write or read fanfiction, I don’t hoard fanart, I’m not really interested in making the things I like the be-all, end-all of my identity), the way those friendships formed online were really important to how I grew up and where I ended up in life. I don’t think there are many books that really tackle the importance (and also weirdness) of online friendships; the last time I’d read about that sort of thing was in Pattern Recognition of all things, and that was just a brief aside in what was otherwise a cyberpunk thriller.
I was expecting a story that chronicled the kind of awkward budding friendships I was cultivating in front of the computer screen in high school, and what I got was something else. Those were the bits Moskowitz and Helgeson skipped right over in favor of the kind of melodrama that could happen between any two friends, regardless of where or how they met, but with a sprinkling of unrealistic lefthand turn plot points for good measure (former child actors! shoehorned romance! tragic deaths!).
And the nail in the coffin for me was reading the book summary after I had read the book.
Gena (short for Genevieve) and Finn (short for Stephanie) have little in common. Book-smart Gena is preparing to leave her posh boarding school for college; down-to-earth Finn is a twenty-something struggling to make ends meet in the big city.
If I need the book description to tell me that Gena and Finn have nothing in common, and that one is “book-smart” while the other is “down-to-earth,” then you’ve failed in your writing. In the book they come across as quite samey, except that one of them has a history of mental health issues.
I wouldn’t recommend this for ELL readers except maybe ones who are already knee deep in fandom anyway (hence the asterisk in the language scaling). It seems the book I want to read about Internet friendships has yet to be written.
I say “19.5” because with a flight out of the country in the evening, this wasn’t exactly a whole day in Boston. I spent a smidge over 24 hours in town, so should that count as two days?
I woke up a little before Diana’s alarm and futzed around a bit on my phone. She showered and got ready for work, and I got dressed in my lazy bum traveling clothes and we were off.
My morning wasn’t too eventful. I dumped my travel bag at the station, and then spent the rest of the time I had until burritos with Diana and Walter writing in Boston Common and then wandering through the botanical gardens.
Much State. Very Legislature. Wow. So Government.
I appreciate the bird photobombing but not dude in the fannypack.
It was SO. HOT. that day and I very much wanted to jump in any and every body of water I saw. Fountains, duck pond, the little kid wading pool…all of them.
All of this was right after Nazi demonstrations and protests and tiki torches and all of that good stuff. (I picked a helluva time to be back in the US!) It was a topic of discussion when we were at dinner in Old Orchard Beach. Seth (Walter’s boyfriend) was amazed that Nazis would even dare to turn up and show their faces in Boston, of all places—the city is so progressive and liberal and etc.
I shook my head. “Nah man, what I’ve heard from non-white friends of mine who live there…it’s a different experience.”
There were leftovers of protests and rumbles on the Common.
The text spraypainted on the ground reads “Racism will not win.” We can only hope. =/And on this monument to I guess the Pilgrims? “$ IS POWER XFREEDOM I$ RESISTANCE.” I don’t know if I hold entirely with that logic, protest artist. The first half, yes. But I don’t know it’s connected to resisting or freedom. Maybe “resistance is freedom”? Otherwise you’re maybe putting the cart before the horse.Civil War memorial to “white officers” and “black rank and file.” It feels like a lukewarm attempt at Black History TM by throwing them in with the white officers but on the other hand if they fought together, shouldn’t they be memorialized together?
I finished my writing and my photo-taking and wandered in the direction of the public gardens, because I guess that’s what I do on vacations now?
Overheard in Boston:
“The flowers are dyin’ ’cause they don’t water ’em.”
“They do water ’em, every day.”
“Why are they dyin’, then?”
“‘Cause of the sun.”
More overheard in Boston:
“MOM! A duck bit my thumb!”
There were a couple buskers out in the park. An elderly Asian man playing what I think was an erhu, and then a hip young white dude with a tenor sax: “Careless Whispers,” “What A Wonderful World,” etc.
I wandered over to the burrito place to meet and Walter. It was a take-out place for nearby young professionals, and since I was eating with young professionals, that meant there was no place to really sit or any time to really talk.
We said our goodbyes and I walked around the city a bit, despite it being SO. HOT., because I figured if I’m going to say that I visited Boston, I should have at least seen some of it? The other times I’ve been in Boston, I’ve been sequestered away indoors at anime conventions so I wanted to say that I had actually been in Boston. Or whatever.
I was due to meet another friend, Amy, at a marketplace in the afternoon, though I turned up quite a bit early so I could browse around a bit and enjoy the air conditioning. I bought some yarn for one of my knitter friends back home, and picked up a business card from American Stonecraft. I love rocks, and I love New England, and this is exactly the kind of thing that my mother-in-law loves, so I’ll probably buy something online for her birthday or Christmas present. (Probably a coaster or two.)
Once in a green time a flower
Oh, fell in love with the sun.
The passion lasted for an hour
And then she wilted from her loved one.
I appreciated the tip jar humor but was fresh out of any cash at all by this point. Nor did I feel like buying some nuts, even as the guy behind the counter was really friendly and offered me some free samples. Womp womp.
Amy did the very smart thing and brought GAMES because two people with low-key (and sometimes not so low-key) social anxiety need all the help interacting they can get! Or at least I do, even if meeting Internet friends is always less fraught than I expect it because it’s not like I don’t know them at all or anything. Although I was still a bit of a traveling mess—piecey hair, clothes chosen for comfort rather than fashion, indescribably sweaty—so props to and everyone else that day for spending time with my unattractive self!
After we got chocolate and chatted a bit and I saw some Andy pictures I hadn’t before (ATTACK OF THE FIFTY-FOOT TODDLER!), we played a couple rounds of Hanabi, which I sucked at but enjoyed nonetheless and have since added to our small roster of games (Munchkin, Dixit, Magic: The Gathering).
After that it was off to the station to pick up my bag, which I had to pay some extra for by all of ten? fifteen? minutes. Ugh. Nonetheless, it was worth the convenience. I had a hell of a time finding the bus to Logan, and then the check-in line for Norwegian was FOREVER LONG. It wasn’t as stressful as it would be if it were my flight going in—I had no pressing plans back in Sweden that would suffer if I got bumped back a few hours or even a day—but it still made me anxious. The family behind me, on the other hand, realized they had the wrong passports, and it was a rush of phonecalls and sending out teenage son to meet dad and etc. to fix it. So someone was having an even more stressful wait than I was!
We boarded on time, though, and everything went smoothly. My layover in Copenhagen was slightly shorter this time around, so I didn’t try to do any more exploring. I just hung out at one of the terminals, charging my phone and letting my boyfriend know that I would be at Arlanda in a couple of hours.
I decided that I’m no longer bound by space and time when it comes to book club reads. In other words, I don’t have to wait for a respective book’s month, or even read them in order! Which is why I dug into My Real Children last week, even though it’s not on the Austin Feminist Sci-Fi Book Club docket until June.
Author: Jo Walton
My GoodReads rating: 3 stars
Average GoodReads rating: 3.76
Language scaling: B2+
Summary: Patrician Cowan is living out the end of her life in a care facility for dementia patients. Unlike most dementia patients, however, she also remembers two lives. Which one is the truth? Which children are her real children?
Content warning: Some scenes of emotional abuse; a couple of uncomfortable, coercive sex scenes
Recommended audience: Alternative history fans, actual history buffs, people who are anxious over the life choices they’ve made, readers looking for LGBTQ+ historical commentary
In-depth thoughts:My Real Children takes a very personal, intimate look at history and chaos theory. Walton gives us two (alternate?) lives of Patricia Cowan, with different spouses and different struggles and different triumphs.
Of course, it’s not just Patricia’s life that’s different between the two. History also takes two different tracks (though both are different from history as it tracked in our world). Walton sets up a delicious little tension there that’s never entirely resolved: did Patricia’s choices in any way affect larger world events? Or did those larger world events have any effect on her? Another author might have been tempted to draw a line between Patricia’s choices and world events (like Charles Wallace body-hopping through different people in A Swiftly Tilting Planet), but Walton just leaves those differences there.
While My Real Children is put out by Tor, an imprint famous for fantasy and science fiction, I wouldn’t classify it as science fiction myself. (I was actually surprised to see it was a Tor book!) But maybe that’s because I already comfortably half-accept the idea of there being alternate reality versions of myself leading different versions of my life. There’s no attempt to explain why those lifetimes are converging in Patricia’s memory, or why she’s drifting between two timelines (it’s most certainly not a metaphor for dementia; she has dementia in both lifetimes, unrelated to the timelines crossing); it’s simply a narrative device that shows how differently things can turn out on the micro- and macro-scale.
Whether or not you want to consider it “proper” science fiction, My Real Children is a great option for ESL students: no weird alien races, no futuristic technological terms, no fantastical elements to try and keep straight. It’s simply two alternate histories that readers may already be familiar with, side by side.
Image courtesy Kulturhuset and Stockholms Litteraturmässan
Another year, another successful Litteraturmässan! Or, at least, it was successful from my perspective. I guess it’s up to the vendors and the sponsors to decide if it was successful in a more typical sense. The panels I attended and my thoughts on them:
Vi minns Ursula Le Guin
It took me twenty years to get into Le Guin, but I made it eventually. Still, interesting to hear people talk about her who fell in love with her writing from the get-go. (The difference: half of the panel seemed to get into her via The Left Hand of Darkness, whereas my first attempt was either A Wizard of Earthsea or The Dispossessed.) Also weird to hear a discussion about Ursula K. Le Guin in Swedish when English and Swedish pronounce the name of the letter “K” differently. (It’s the little things.)
I don’t know if it was because I had a hard time tracking the discussion in Swedish or because the topic wasn’t as engaging as I thought it would be, but I confess to ducking out early of this one. It might have been better if I had read the books in question prior to the discussion: Aednan and Släpp ingen jävel över bron, both of which sound interesting in their own right.
Tema Fristad: Zurab Rtveliashvili
While I found the discussion frustratingly limited (John Swedenmark seemed extremely uncomfortable with silence and therefore didn’t allow Rtveliashvili as much time to answer as maybe he needed), the poetry readings and performances were engaging. Here’s a clip of Rtveliashvili reading a poem he also read at the panel (though without the instrumental accompaniment).
De värnlösa
Never a bad time to discuss Nazis and their nonsense. I picked up a copy of Lilian O. Montmar’s book (same title as the discussion panel) in the market for my sambo.
I didn’t get to see as much of this panel as I would have liked, but I liked what I saw. Heard? I hope that the library will get in more copies of Flora Nwapa‘s books in soon, because now I’m quite curious about them!
Tema Fristad: Tesfagiorgis Habte
Habte was perhaps the most at-ease speaker in all the panels I attended, or at least the one most willing to crack jokes. It helped that Sami Said was also a great interviewer: they had good banter and he allowed Habte time to answer questions. Habte spoke about his years in prison, but there’s only so much to cover in twenty-five minutes. His piece at PENeritrea touches on many of the things he talked about, and then some
